BACH NOTES – Our Journal

 

 

Stop Press:  Updated 17 November 2016

Bach Notes is the London Bach Society’s Journal. From 2017, the Journal will be published annually in September.  Published in conjunction with the annual Bachfest, the issue will include articles, interviews and features that will lead our readers deeper into the world of Bach today. In  particular, the September 2017 issue will reflect the Luther 500th Reformation Anniversary (1517-2017). We also publish bi-monthly editions by email that feature updates, London Bach Society news, plus details about some interesting concerts and/or projects coming up elsewhere. Bach Notes is distributed free and posted on our website.  The latest and past issues can be accessed by clicking on the links below.  Acrobat Reader will be required.

Our Journal is published in the spirit of the 19th century German romantic composer Robert Schumann, who was also a journalist and a leading light in the movement to revive Bach’s music, which he achieved successfully in his own Journal “Neues Zeitschrift für Musik”

The next issue of our Journal will be published on 1 September 2017. An upgraded 8pp full colour version. Newsletter advertisers are welcome – rates on application

Join Our Email List    lbs@lonbachsoc.demon.co.uk

2016 BACH NOTES Autumn Edition

This special LBS 70th Anniversary edition not only profiles the Society and its work but celebrates activities in the world of Bach globally. Articles include Bachfest 2016, a profile of Steinitz Bach Players, a tribute to the London Bach Society’s original choir (1947-1989), Peter Smaill’s report on the American Bach Society’s recent Conference and Yo Tomita at the Leipzig Bachfest.

BACH NOTES MARCH 2016 EDITION

Immediate past Issues 

2015 BACH NOTES AUTUMN EDITION

BACH NOTES SPRING 2015 READ VERSION

Samples & Archives

Articles from past editions of Bach Notes are available here on Yo Tomita’s Bach Bibliography website.

Extracts from an earlier edition:

New Bach Aria discovery

“Alles mit Gott und nichts ohn’ ihn”, BWV 1127

For the first time since the 1930s, a genuine Bach vocal work has been discovered amongst papers unearthed at the Anna Amalia Library in Weimar. Composed in October 1713 for the birthday of Bach’s employer Duke Wilhelm Ernst of Saxe-Weimar, the score is in Bach’s own hand and the work is a strophic aria with ritornello for solo soprano, strings and basso continuo. The opening words of the aria “Alles mit Gott und nichts ohn’ ihn” mean “Everything with God and nothing without him”, the Duke’s own motto, and are from a poem by the theologian, Johann Anton Mylius.

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