LBS News Update, issued 28 April 2016

LBS News Update, issued 28 April 2016

Lord Avebury’s Memorial Celebration

Violinist Rodolfo Richter will represent our musicians at the Memorial Celebration for Lord Avebury on Thursday 30 June 2016 at the Royal Institution. Rodolfo will play three movements chosen from amongst Bach’s unaccompanied violin repertoire.

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

ALAN LOVEDAY violinist

From the leader's chair

From the leader’s chair

Alan Loveday (1928-2016)

The death has been announced of the violinist Alan Loveday, aged 88.  Alan was one of the most gifted violinists of his generation and an early exponent of period style playing. No one could fail to be anything other than deeply moved by his performances of key Bach obbligatos played on his ‘little fiddle’ and his recording of Vivaldi’s Four Seasons with the Academy of St. Martins directed by (Sir) Neville Marriner (pictured above) made in the early 1970s serves as a benchmark for many to this day.

A New Zealander by birth, Alan Loveday’s place in the history of the London Bach Society is as a founder-member-leader of Steinitz Bach Players in 1968, along with oboist Tess Miller, trumpeter Michael Laird, violist Duncan Druce, cellist Jennifer Ward Clarke and violone/viola da gambist Adam Skeaping. His leadership and performances with the orchestra in its crucial early years raising listeners’ awareness of how Bach might have heard his music and had it performed were manifested most significantly in his exquisite playing of the violin obbligato in the aria “Erbarme dich Gott…” (St. Matthew Passion Part 2) sung by Janet Baker at the annual Lenten presentations directed by Paul Steinitz in the Priory Church of St. Bartholomew-the-Great.  In later years Alan’s performance of one of the Bach solo violin Partitas at a Steinitz/ LBS Bach cantata concert reduced a packed QEH on London’s South Bank to tears of joy and high emotion…with Paul sitting on the concert platform alongside the other instrumentalists eager not to miss a single note.

A key player in our orchestra’s early development, we remember Alan Loveday with much gratitude. Margaret Steinitz

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Bach scholar Peter Williams (1937-2016)

Professor Peter Williams (1937-2016)

The death has been announced of the British Bach scholar Professor Peter Williams aged 78.  One of the most respected writers on Bach over the past half-century, Peter Williams was a former Professor and Dean of Music at the University of Edinburgh and Emeritus Arts and Sciences Professor of Music at Duke University, North Carolina. There will be many an organist today brought up on Williams’ three volumes “The Organ Music of J S Bach”  published between 1981-1984 where, among other thought-provoking statements, he dared to suggest that the famous Toccata and Fugue in D minor BWV 565 was not by Bach.  He was also a close friend of one of the world’s most respected and gifted interpreters of Bach’s organ works,  Dr. Peter Hurford, regularly attending the St. Albans Organ Festival  & Competition founded by Hurford in 1963. 

Always fascinated by every aspect and joining our frustrations that so little in the way of letters and documents have survived that give us greater knowledge of Bach’s life and work, Williams became author-turned-detective, using segments of the Bach Obituary to delve deeper and in the process to offer further insight that moved away from the deferential and towards the more human. It was this that inspired Williams’ biography of the composer “The Life of Bach” published in 2004 expanded to “J S Bach: A Life in Music” published in 2007, these two volumes a culmination perhaps of his own life’s work from which many across the globe have benefitted. While Bach scholarship is continually being advanced, Williams’ books will remain a significant reference point for all students of the composer and form part of the legacy of expertise and knowledge handed on to new generations.

Peter Williams’ books are published by Cambridge University Press www.cambridge.org.  Margaret Steinitz

 

 

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Sir Peter Maxwell Davies 1934-2016

 Sir Peter Maxwell Davies (1934-2016)

Another very sad loss. Composer, conductor and educator, Sir Peter Maxwell Davies passed away on 14 March 2016 aged 81. He had been ill for sometime, yet showed his typical courage and determination to continue to work until the end.
Sir Peter was a true pioneer, imaginative, creative, controversial, challenging in the musical demands he made on his singers and players. He was the original enfant terrible. His iconic group Fires of London (formerly the Pierrot Players) rolled back the boundaries of contemporary music and the live concert experience in the 60s/70s, touring the world with their staged performances of, among other instrumental and theatre works, Max’s (as he was fondly known)  Eight Songs for a Mad King and Miss Donnithorne’s Maggot, that set the seal on his composing career ahead. Audiences came to know the group simply as The Fires and they  attracted some stellar instrumentalists to make sense of the very complex Maxwell Davies scores – Jennifer Ward Clarke, Duncan Druce, Judith Pearce, Stephen Pruslin and Alan Hacker among them, the group ably managed by the late Louise Honeyman. Any new Davies world première was anticipated with alacrity for its potential to be controversial and since those days they have never provoked indifference.

Our own contribution was to give the first London performance of Maxwell Davies Veni Sancte Spiritus at the  South Bank’s Queen Elizabeth Hall in  November 1972, which BBC recorded, and which was given with the composer present.

Latterly Sir Peter has continued to champion the importance of high quality musical education, a lifelong commitment of his, when it is not only financial cuts that threaten, but the very inclusion of music as an integral part of the curriculum… and he did not mince his words on this, cuts to arts funding in general and other Davies priorities either!  At least he is no longer suffering and his music will surely live on.   Rest in peace. Margaret Steinitz (Artistic Director, LBS)

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Steinitz Scholarship in Musicology

Steinitz Scholarship in Musicology

A Steinitz Scholarship in Musicology has been set up at the University of Huddersfield to reflect and recognise the work of  Dr Paul Steinitz in the study and performance of the music of J S Bach and founder of the London Bach Society, and the work of his son, Professor Richard Steinitz, expert on the music of Ligeti in particular and founder of the Huddersfield Contemporary Music Festival. Further information may be found by clicking on the link www.hud.ac.uk/research/music/

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Nikolaus Harnoncourt (1929-2016)

 

Nikolaus Harnoncourt at Barbican with Margaret Steinitz and Sir Nicholas Kenyon

Nikolaus Harnoncourt at Barbican with Margaret Steinitz and Sir Nicholas Kenyon

Nikolaus Harnoncourt (1929-2016)

The death has been announced of the distinguished Austrian conductor and chamber musician Nikolaus Harnoncourt. He was 86.  Harnoncourt was a pioneer of period style performance, especially of the music of Bach, and the last of the remaining  great 20th century Bach interpreters who rolled back the boundaries and gave us the composer’s treasury of vocal church music in its original form . The complete Bach cantatas recording project (Telefunken 1970-1991) he shared with the Dutch harpsichordist and conductor Gustav Leonhardt remains one of the most important and historic ever on disc, opening our ears to the emerging new sound world at the time, not only of the period instruments themselves, but of period style performance in its fullest sense. Nearly a quarter of a century later, these recordings still cut the mustard and inform the listener.

When Paul Steinitz was planning the last phase of the London Bach Society’s own public cycle of Bach’s cantatas in the mid-1980s, Harnoncourt was invited to be one of the Patrons of the special Appeal launched to complete our project, and he accepted with alacrity. The warm encouragement that accompanied this was typical of the man, a genuine servant of music.  By his side was his devoted wife and accomplished violinist Alice, to whom he was married for over 60 years;  His daughter is the celebrated mezzo soprano Elisabeth von Magnus.

There will be many tributes made from across the world, reflecting the breadth of musical interests Harnoncourt pursued. Ours is one of sincere gratitude for his dedication to the music of Bach, a true kindred spirit. Margaret Steinitz

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

LBS 70th – Bach Notes – Spring 2016 – is published

LBS 70th  – Bach Notes

The first of two special issues of our Journal is now published . Copies are available to download. Click on the link:

www.bachlive.co.uk/about/bachnotes/

In this  issue the following articles/features are among the items: -

  • An Interview with Anna Harvey, LBS 5th Bach Singers Prize Winner
  • The LBS Bach Club
  • RAM Bach Cantata series, 8th Glorious Year – Interview with Jonathan Freeman-Attwood
  • In the footsteps of JSB, a travelog by LBS Bach Friend, Philip Caine
  • Peter Smaill reviews Eric Chafe’s book “Tears into Wine”

 The next Issue – 1 September 2016

The next issue of our Journal will be devoted to a survey of the London Bach Society’s work, how it is building upon the Steinitz legacy today, including portraits of Steinitz Bach Players and artists appearing  in the celebratory Bachfest in November 2016.

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

The Sterndale Bennett Inheritance

William Sterndale Bennett (1816-1875) 

The events to mark the 200th anniversary of William Sterndale Bennett continue this week and next at the Royal Academy of Music where he served as Principal from 1866-1875. Sterndale Bennett was a key player in the 19th century British Bach revival, but also had musical interests over a wide area and his friendships with Mendelssohn, Schumann and others greatly influenced his life and work.

  • Thursday 26 February, 2.30pm-4.30pm & 6.00pm-7.30pm, The Museum Piano Gallery, RAM. The event is entitled “Sterndale Bennett, Mendelssohn and Piatti: Cello and Piano” – a two-part seminar by cellist Jap ter Haar and pianist Dr Olivia Sham.
  • Monday 29 February, 6.00pm-7.30pm, Museum Piano Gallery, RAM. This event is entitled “William Sterndale Bennett: Student, Professor and Principal.”  Janet Snowman (RAM Curator or Art and Iconography) and Dr Olivia Sham will explore Bennett’s role at the Royal Academy of Music in discussion with his great-great-grandson Barry Sterndale Bennett.
  • Tuesday 1 March, 6.00pm-7.30pm, The Museum Piano Gallery, RAM. This event is entitled  “Victorian Virtuosity: Sterndale Bennett and Romantic Pianism”. Dr Olivia Sham will lead this Seminar which will include performances on the 19th century pianos in the Museum. Admission is free and no ticket is required.

As part of the London Bach Society’s 70th Anniversary this year, LBS has designated a page on this website about Bennett’s role in the 19th century British Bach revival. Go to http://www.bachlive.co.uk/london-bach-society-70th-anniversary-in-2016/william-sterndale-bennett-1816-1875/

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Bach Club – Programme for 19 Feb

Bach Club – Friday 19 February at 7.45pm

Special thanks to Satoko Doi-Luck and Mirjam-Luise Münzel for curating the Bach Club concert. They put in a lot of work to gain useful experience in concert planning and promotion. Great stuff!

Thank you to everyone who performed at the Bach Club. The warm and prolonged applause said it all! Good luck with your studies and your future careers. Don’t forget to add the concert to your CV’s and profiles! Best wishes to you all.  Margaret Steinitz, LBS Artistic Director

We are grateful to counter tenor Jean-Max Lattemann for stepping in at the last minute for an indisposed Collin Shay.

Click on the link below to download the programme

2016 BACH CLUB PROG 19 FEB

Click on the link if you would like your details to be added to our postal or email lists.  For email details only send us the email address to lbs@lonbachsoc.demon.co.uk.

 MAILING LIST doc

 

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter

Lord Avebury

LBS Vice President Lord Avebury dies aged 87

AVEBURY

To read the Tribute to Lord Avebury, navigate to the ABOUT US section.

Scroll down for further posts and news items.

Share this:
Share this page via Email Share this page via Stumble Upon Share this page via Digg this Share this page via Facebook Share this page via Twitter